Still shot from the movie "The Man from Nowhere" In the movie "The Man from Nowhere," the scene where 'Ajusshi' Won Bin shaves his own head before rescuing the kidnapped neighborhood girl. The term 'Ajusshi (아저씨)' once sounded romantic, but nowadays, it is considered a pejorative and is being phased out.

Navigating the Nuances: 아줌마 and 아저씨’s New Reality

The Evolution of ‘Ajumma (아줌마)’ and ‘Ajusshi (아저씨)’ into Pejoratives

Gone are the days when it was common to refer to someone’s parents as simply ‘Ajumma (아줌마)’ or ‘Ajusshi (아저씨).’ Nowadays, terms like “uncle” and “aunt” dominate our vocabulary, even in casual encounters. The transformation of these terms into pejoratives marks a significant shift in societal norms and language usage.

A Shift in Address: A Personal Anecdote

Mr. A, a 30-year-old office worker, shared a revealing incident from a visit to his two-year-old son’s daycare. While playing with his son, who was adjusting to this new environment, another child approached them. Mr. A greeted the child warmly, only to have his wife swiftly correct him to use “uncle” instead of ‘Ajusshi,’ sparking confusion and reflection on his part.

Observing other parents, Mr. A noticed a unanimous trend: everyone preferred being called “uncle” or “aunt” by children not their own. This experience led him to question the changing etiquette around familial titles in a car ride home, highlighting a broader societal shift towards more sensitive address.

Still shot from the movie "The Man from Nowhere"

In the movie "The Man from Nowhere," the scene where 'Ajusshi' Won Bin shaves his own head before rescuing the kidnapped neighborhood girl. The term 'Ajusshi (아저씨)' once sounded romantic, but nowadays, it is considered a pejorative and is being phased out.
In the movie “The Man from Nowhere,” the scene where ‘Ajusshi’ Won Bin shaves his own head before rescuing the kidnapped neighborhood girl. The term ‘Ajusshi (아저씨)’ once sounded romantic, but nowadays, it is considered a pejorative and is being phased out.

Understanding the Backlash Against Traditional Terms

The Korean Standard Language Dictionary defines ‘Ajumma’ and ‘Ajusshi’ as casual terms for addressing adults. These terms once facilitated a comfortable and familiar way to address adults in various contexts, from family friends to service workers. However, these same terms now often convey rudeness or aggression, leading many to avoid them.

The term ‘Ajumma,’ in particular, has become a contentious title for women, especially those unmarried or without children in their 30s and 40s. This change has prompted a mutual exclusion of the term among women, reflecting a wider trend of sensitivity towards certain addresses.

The Cultural Impact of Media and Gender Dynamics

Media portrayals and gender dynamics have further complicated the perception of ‘Ajumma’ and ‘Ajusshi.’ High-profile cases of public backlash against the use of these terms in reality TV shows have underscored their growing unpopularity. Furthermore, the differing reactions of men and women to these terms highlight a complex interplay of cultural and gender-based sensitivities.

Men, historically less bothered by the term ‘Ajusshi,’ have found new contention with it, especially in contexts like military service, where it has garnered a negative connotation. This has led to a shift towards more affectionate terms like ‘military oppa’ within certain communities.

The Rise of Title Inflation

As society grapples with the derogatory evolution of ‘Ajumma’ and ‘Ajusshi,’ a flood of alternative titles has emerged. This “title inflation” has seen individuals being addressed by increasingly higher honorifics, irrespective of their actual relationship or status, in an attempt to avoid offense.

This trend towards elevating titles as a form of respect or avoidance of derogation has given rise to using neutral terms like ‘excuse me’ as a safe and respectful way to address others, amidst the contentious landscape of Korean social etiquette.


A Netflix movie "Kill Boksoon", a protagonist who is both ajumna (아줌마) and a killer.
A Netflix movie “Kill Boksoon”, a protagonist who is both ajumna (아줌마) and a killer.

Critical Perspectives on Language and Society

Critics and observers of Korean society note the rapid and often problematic shift in how we address each other. This shift not only reflects changing social dynamics but also underscores a deeper societal trend towards distinguishing oneself and navigating social hierarchies.

The evolution of language and titles in Korean society offers a window into the complex interplay of respect, identity, and social change, with the neutral ‘excuse me (저기요)’ standing as a testament to the ongoing search for balance and respect in everyday interactions.

Reference: https://n.news.naver.com/mnews/article/023/0003823936?sid=102

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6 responses to “Navigating the Nuances: 아줌마 and 아저씨’s New Reality”

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